TEA invites artists and collectives to apply to this call to develop and present projects whose research and methodology are focused on territory and community, whether through critical reflection, contextual intervention or collaboration with local agents.
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Screen Melancholy is the title of the Taiwan pavilion exhibition featuring the work of Li Yi-Fan curated by Raphael Fonseca. This title centers on a motif found frequently in art history – “melancholy” – as a response to the anxiety and gloom that arise with the flattening of perception when people face a world constrained and molded by today’s digital environment.
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Commissioned by ARKO (Arts Council Korea), the Korean Pavilion is pleased to announce its team and vision for the 61st International Art Exhibition of the Venice Biennale (2026). Curator Binna Choi, helming the project’s …
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The Biennale of Sydney is calling for Expressions of Interest (EOI) from visionary curators and cultural producers who are interested in being the Artistic Director of the 26th Biennale of Sydney (2028).
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The Echigo-Tsumari Art Triennale is pleased to announce that applications for its 10th edition open call will begin on Tuesday, November 4, 2025.
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Biennials Connect Grants are now offering grants of up to £9,500 to UK and international biennials / festivals in eligible countries. Biennials Connect Grants support visual artists’ participation in UK and international festivals and biennials. The grants directly benefit artists by facilitating opportunities for travel, the production of new work, networking, skills building and showcasing through biennial partners.
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The contemporary art triennial Prospect has announced it will not mount its seventh edition in 2027, breaking from its regular three-year cycle that has brought world-class contemporary art to New …
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The 2nd Bienal das Amazônias (2BDA) unfolds through the idea of (distance-green), a poetic inflection inspired by the writings of Benedicto Monteiro (1924–2008), writer from Pará. At its core, this biennial is political. It attends to broken histories and contested presents, to extractive structures and the legacies they leave behind. It creates room for tension, conflict, and friction, without seeking resolution.
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On the occasion of the 13th Berlin Biennale for Contemporary Art, curator Zasha Colah and director Axel Wieder have invited a group of international curators and thinkers to prepare the program for the Curators Workshop of the 13th Berlin Biennale. Marking its 10th iteration since 2006, this edition of the Curators Workshop Fugitive Acts: Art and Politics—drawing on Colah’s concept for this Biennale and its thematic areas—addresses pressing questions about how to place artistic practice at the heart of what we do. Invited participants will have the opportunity to discuss these topics in close collaboration with curators, speakers, Berlin Biennale staff, and invited contributors.
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The title and curatorial vision for the 61st Exhibition, which were initially to be revealed on Tuesday 20 May 2025, were announced following the sudden passing of the Curator Koyo …
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Applications are now open for the 2025 Gwangju Biennale Academy International Curator Course. This immersive on-site course is designed to support emerging curators, theorists, and cultural practitioners from around the world. This year’s course will be directed by Binna Choi, curator of the Hawai‘i Triennial 2025 and artistic director of the 2026 Korean Pavilion at the Venice Biennale.
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The international art world is reeling from the sudden passing of Koyo Kouoh, the acclaimed curator appointed to direct the 2026 Venice Biennale. Kouoh, a pivotal figure in contemporary African …
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