EVA International programme is now welcoming Platform Commission 2027 proposals. Selected proposals will receive funding and support for the development and presentation of new work as part of the upcoming …
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The 111 invited participants of this exhibition – among them, individual artists, collaborative duos, collectives, and artist-led organisations – hail from many geographies and regions selected by Koyo with particular attention to resonances, affinity, and and possible convergences between practices, even when far apart.
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The art world is mourning the sudden and profound loss of Henrike Naumann, the visionary German installation artist who passed away on February 14, 2026, at the age of 41. Her death, which followed a tragically late cancer diagnosis, comes at a moment when she was poised to reach the zenith of her career: representing Germany at the 61st Venice Biennale.
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For Sonsbeek 2026 memory is not approached as static or nostalgic, but as an unfinished, dynamic force that constantly reshapes who we are and how we live together. Remembering and forgetting are considered not as opposites, but interdependent processes that are selective, contested, and charged with power. Today, Arnhem and Park Sonsbeek remain layered sites where personal and collective histories and ecological rhythms converge. Against the backdrop of ongoing global conflict, displacement, and ecological crisis, the urgency of asking who gets to remember, and how, has only intensified.
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TEA invites artists and collectives to apply to this call to develop and present projects whose research and methodology are focused on territory and community, whether through critical reflection, contextual intervention or collaboration with local agents.
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Screen Melancholy is the title of the Taiwan pavilion exhibition featuring the work of Li Yi-Fan curated by Raphael Fonseca. This title centers on a motif found frequently in art history – “melancholy” – as a response to the anxiety and gloom that arise with the flattening of perception when people face a world constrained and molded by today’s digital environment.
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Commissioned by ARKO (Arts Council Korea), the Korean Pavilion is pleased to announce its team and vision for the 61st International Art Exhibition of the Venice Biennale (2026). Curator Binna Choi, helming the project’s …
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The Biennale of Sydney is calling for Expressions of Interest (EOI) from visionary curators and cultural producers who are interested in being the Artistic Director of the 26th Biennale of Sydney (2028).
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The Echigo-Tsumari Art Triennale is pleased to announce that applications for its 10th edition open call will begin on Tuesday, November 4, 2025.
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Biennials Connect Grants are now offering grants of up to £9,500 to UK and international biennials / festivals in eligible countries. Biennials Connect Grants support visual artists’ participation in UK and international festivals and biennials. The grants directly benefit artists by facilitating opportunities for travel, the production of new work, networking, skills building and showcasing through biennial partners.
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The contemporary art triennial Prospect has announced it will not mount its seventh edition in 2027, breaking from its regular three-year cycle that has brought world-class contemporary art to New …
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The 2nd Bienal das Amazônias (2BDA) unfolds through the idea of (distance-green), a poetic inflection inspired by the writings of Benedicto Monteiro (1924–2008), writer from Pará. At its core, this biennial is political. It attends to broken histories and contested presents, to extractive structures and the legacies they leave behind. It creates room for tension, conflict, and friction, without seeking resolution.
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