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Biennale of Sydney 2022 project highlights

Biennale of Sydney 2022

rīvus
23rd Biennale of Sydney

March 12–June 13, 2022

The Biennale of Sydney will present over 330 artworks by 89 participants and 400 events as part of the 2022 edition, open to the public from March 12 to June 13, 2022.

The 23rd Biennale of Sydney, titled rīvus, meaning “stream” in Latin, will feature new work and commissions responding to water ecology and relationships with the natural world. Audiences will experience large-scale immersive installations, site specific projects and living works by international participants including Kiki Smith, Marguerite Humeau, Sheroanawe Hakihiiwe, John Gerrard, Jumana Emil Abboud and Ackroyd & Harvey alongside Australian participants such as Badger Bates, Clare Milledge, Julie Gough and D Harding. The list of participants extends beyond the realm of the visual arts and includes bodies of water and their custodians around the world including Australia, Bangladesh and Ecuador.

The 2022 edition has been developed and realised by a Curatorium comprised of Artistic Director and Colombian curator José Roca and co-curators Paschal Daantos Berry, Anna Davis, Hannah Donnelly and Talia Linz.

The Curatorium said: “rīvus is articulated around a series of conceptual wetlands situated along waterways of the Gadigal, Burramatagal and Cabrogal peoples. These imagined ecosystems are populated by artworks, experiments and research, responding to our connections, and disconnections, with water. Rivers have been the ways of communication and the givers of life for entire communities and a growing number of jurisdictions around the world are granting rivers legal personhood rights. As we see waterways having a voice in the courtroom, we wanted to extend this further into the public sphere with our exhibition. Many of the Biennale of Sydney participants have worked with waterways, local and international, to share their stories and raise these important conversations.

Participants will investigate the ecologies sustained by waterways worldwide. This can be seen in works like Marjetica Potrč’s collaboration with Wiradjuri Elder Uncle Ray Woods which tells the story of two rivers: the Soča in Slovenia and the Galari (Lachlan River); these works will be shown alongside Brazilian artist Caio Reisewitz mural-sized collage, which references the aquifer under the Amazon jungle. D Harding’s exploration of ancestral waterways with the local community has inspired a new carving work. The Australian premiere of The Great Animal Orchestra, a major installation created by American soundscape ecologist Bernie Krause and United Visual Artists, will immerse audiences in the sounds of vulnerable habitats in Africa, North America, the Pacific Ocean and the Amazon River, whilst French artist Marguerite Humeau will present a new sculptural commission envisioning a world in which mass extinction has accelerated to a point of no return.”

The largest contemporary art event of its kind in Australia, the Biennale of Sydney will be open free to the public from March 12 to June 13, 2022 at Art Gallery of New South Wales, Barangaroo including The Cutaway, Circular Quay, Information + Cultural Exchange, Museum of Contemporary Art Australia, National Art School in partnership with Artspace, The Rocks and Pier 2/3 at Walsh Bay Arts Precinct.

For the full list of participants and project highlights of the 23rd Biennale of Sydney (2022) visit biennaleofsydney.art.

For all of the 94 days of the exhibition, the projects and ideas will be activated and explored through an expansive program of events and experiences, titled The Waterhouse. The program includes the return of school programs and will activate the city through daily programming for all ages and abilities.

Exhibition entry is free.

Photo caption: John Gerrard, Leaf Work (Derrigimlagh), 2020. Installation view, Galway International Arts Festival, Ireland, 2020. Commissioned by Galway International Arts Festival for Galway 2020, European Capital of Culture. Courtesy of the artist and Pace Gallery. © John Gerrard. Photo: Ross Kavanagh.

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