11th Shanghai Biennale
Why Not Ask Again?
11 November 2016 – 12 March 2017
The theme “WHY NOT ASK AGAIN?”
Questions as pressure points
‘Why Not Ask Again?’ The theme of this biennale is both a demand and a query. It tells us to look beyond answers. This biennale will have done its work if it gives rise to a forest of questions in your mind and a storm of desires in your heart, where the unpredictable is something to be welcomed, not feared.
Questions are like pressure points – the vital points along the meridians of the body that are crucial to health and sickness, pleasure and pain. Giving them primacy in this edition of biennale is like attending to the pressure points in the body of our contemporary world. Three clear conceptual pressure points are identified as fulcrums for the curatorial work – Maneuvers, Disputations and Stories, with which this biennale will yield an open ended, alive, curious image of our world.
Points of Connection and Amplification
The terminal is a key feature of the Biennale. It is also Raqs’ way of recognizing the ability that artists in the contemporary world have to act as shapers of discourse, and as engines and pilots of the imagination. The first round of Terminals are: Ivana Franke (German), Regina José Galindo (Guatemala), Marjolijn Dijkman (Belgian) and MouSen + MSG (China).
11 High-lightened Artists
Embodiments of questions
The terminals are like hubs, and the artist projects are the spokes of the wheel. The first round of artist annoucement are as follows: Georges Adéagbo (Benin), Moinak Biswas (India), Lee Mingwei (Taiwan), Yang Zhenzhong (China), Wang Haichuan (Copper Manufactory Project) (China), Patty Chang (USA), Sun Yuan and Peng Yu (China), Tomás Saraceno (Argentina), SUPERFLEX (Denmark), Zheng Chongbin (China) and Robin Meier (Switzerland).
How Shanghai will speak to the Shanghai Biennale
The Call for 51 Personae went out on May 1, Labour Day, in the Labour Daily Newspaper, and on the web page of the Shanghai Biennale, and is circulating in a major way in Chinese Social Media. Shanghai Biennale has already received a fascinating array of responses. We have people with amazing and unique stories, special interests and experiences – all of whom citizens of Shanghai – will enter the space of attention that the Biennale provides to give it depth and energy.
Layers folded within our larger curatorial design
The ‘Infra-Curatorial’ constellation represents arguments inside the overall arc of the argument of our curatorial work. They are moments of ventilation, pause, expansion and relay. They represent conversations that spill out from within Raqs to others who are thinking and imagining the world along resonant or even dissonant lines.
What ties all the projects and ideas together is the energy of the question
When theory gets to work, it sings. This edition of Shanghai Biennale takes questions as an attitude, a form of life. The ‘Theory Opera’ is a kind of discursive form that one could see as an orchestration of major and minor modes in thought and speculation, voiced in ways that marry the heft of philosophy to the cadence of opera.
Raqs Media Collective will invite the previous PSA emerging curator’s program prize winner, art workers Yao Meng Xi and Liu Tian, here in Shanghai to develop an exciting programme.
The Curatorial Team of the 11th Shanghai Biennale
Raqs Media Collective, Chief CuratorSabih Ahmed, Member, Curatorial Collegiate
Liu Tian, Member, Curatorial Collegiate
Chen Yun, Member, Curatorial Collegiate
Tess Maunder, Member, Curatorial Collegiate
About Shanghai Biennale
Launched in 1996, the Shanghai Biennale is China’s oldest and most influential international contemporary art biennale, as well as the most important of its kind in Asia. In 2013, the PSA Academic Committee and the Shanghai Biennale Academic Committee were founded to steer the biennale’s academic developments. Since 2014, Shanghai Biennale has adopted a management system under the supervision of a chief curator, making the curatorial team more efficient and the exhibitions more consistent. The 11th Shanghai biennale will take place during Nov. 11, 2016 to Mar. 12, 2017.
Established on Oct. 1st, 2012, the Power Station of Art (PSA) is the first state-run contemporary art museum on the Chinese mainland as well as the organizer of the Shanghai Biennale since 2012. Renovated from an old power plant, PSA provides a rich source of inspirations for artists with its simple yet straightforward architectural styles. While becoming more and more international, the Shanghai Biennale never forgets its pursuit and meditation over local issues, and the PSA is also becoming a new power plant that spurs unlimited imaginations.