Abdallah Karroum Artistic Director of Biennale Benin.
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Young critics from Europe, not older than 35 years, are invited to submit a review or a short critical essay on dOCUMENTA 13, held in Kassel between June 9th and September 16th 2012.
Apply now: AICA Incentive Prize for Young Critics.
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Jahresring 59: On One Side of the Same Water. The cultural region of the Mediterranean from an artistic point of view.
Out now: “On One Side of the Same Water”.
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On Saturday 10 November 2012, Afterall is organising a symposium titled ‘Artist as Curator’ with speakers including Elena Crippa, Ekaterina Degot, Elena Filipovic, Alison Green, Ruth Noack, Willem de Rooij, Valerie Smith and David Teh.
Afterall ‘Artist as Curator’ Symposium.
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Institut des hautes études en arts plastiques (IHEAP) Call for Applications 2012 is postponed for applications coming from abroad.
IEHAP Application Deadline Postponed.
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The artist Akram Zaatari has been selected to represent Lebanon at the 55th Venice Biennale in 2013.
Akram Zaatari to Represent Lebanon in Venice.
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Alfons Hug Curates 1st Bienal de Montevideo “The Big South”, 23 November 2012 – 30 March 2013.
The Big South: First Bienal de Montevideo.
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Nicolaus Schafhausen, Director of Kunsthalle Wien, appointed Curator of Bucharest Biennale 6, 2014.
Nicolaus Schafhausen to Curate Bucharest Biennale.
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2nd Dubai International Emerging Artist Award Now Open for Entries.
Apply now: International Emerging Artist Award.
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Biennial Foundation presents the World Biennial Forum No 1, 27-31 October 2012, in collaboration with the Gwangju Biennale Foundation in Gwangju, South-Korea.
Biennial Foundation presents:
World Biennial Forum No 1:
Shifting Gravity
Gwangju, South Korea, 27-31 October 2012
Organized by: Gwangju Biennale Foundation Biennial Foundation i.f.a. Institut für Auslandsbeziehungen
Co-directed by:
Ute Meta Bauer
Hou Hanru
Initiated by: Biennial Foundation
While most Western countries are experiencing fiscal austerity and slower growth, some of the emerging nations within the Asian continent are handling the strong forces of rapid progression. For centuries the West used to be the economical and cultural center of attention. Now there is an important shift of focus to Asia, a continent that has seen vibrant and innovative developments undergoing economic, cultural and social change, whilst its population calling for more open and democratic structures within society.
The rapid expanding activities in contemporary art and the rising number of biennials established in Asia during the last two decades has implications for the construction of contemporary art history. How can we undo the teleologies of Euro-centric modernity? Do art biennials inspire and strengthen art communities and help to lay foundations for sustainable infrastructures? Facing increasingly homogenic and universal models of traditional art institutions, are biennials still alternative and sites for experimentation capable of resistance?
The World Biennial Forum No 1 will present keynotes speeches by:
Wang Hui, Professor in the Department of Chinese Language and Literature at the Tsinghua University, Beijing.
Nikos Papastergiadis, Professor for Cultural Studies and Media & Communications at the University of Melbourne.
Chantal Mouffe, Professor of Political Theory and Director of the Centre for the Study of Democracy, University of Westminster, London.
Hans-Ulrich Obrist, Co-Director, Exhibitions and Programmes, and Director of International Projects, Serpentine Gallery (London) in public conversation with Moon Kyung Won and Chun Jun Ho.
Case study presentations of a wide range of biennales throughout Asia will be introduced, aiming to broaden the understanding of the specificity of each context, the conditions of production and the conceptual discourses they generate.
Udo Kittelmann first non-Russian to curate Russia’s presentation at Venice.
Udo Kittelmann to Curate the Russian Pavilion.
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Established in 2003, the California College of the Arts’ Graduate Program in Curatorial Practice focuses on the role of the curator in shaping relationships among artists, artworks, exhibition spaces, and audiences.
Apply now: Graduate Program in Curatorial Practice.
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