Launch of new website and OnCurating Issue 19.
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A-Journal is a publishing space, that hosts texts and visual contributions by artists, curators, architects, theoricians and activists, designed as a platform for research and discussion on the relationship between art and public domain in Italy and the Mediterranean basin, in dialogue with European and extra-European contexts where similar problems, tensions and needs continue to generate experimental artistic paths in the public sphere.
A-Journal. Art and Planning in Public Sphere / issue #0.
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Publication in Spanish and in digital format: Bienal de La Habana. Palabras críticas: 1984-2010 (Biennal of Havana. Critical Words: 1984-2010).
Bienal de La Habana. Palabras críticas: 1984-2010.
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This important collection of Zabel’s writings – his first in English – serves as a methodology model for research into Eastern European art techniques and practices.
Out now: Igor Zabel – Contemporary Art Theory.
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”Extra-disciplinary spaces and de-disciplinizing moments. In and out of the 30th Bienal de São Paulo”.
Swedish Magazine OEI releases a Special São Paulo.
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In Ten Fundamental Questions of Curating ten contemporary curators propose, and then propose answers to, a different key question related to curating, art, and exhibition making today.
Out now: Ten Fundamental Questions of Curating.
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Artupdate Venice Biennale Guide 2013 online on ISSUU.
Artupdate Venice Biennale Guide 2013.
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Commissioned by international arts organisation The South Project, Mapping South: Journeys in South-South Cultural Relations is a publication celebrating 10 years of cultural exchange and dialogue between arts practitioners from countries of the southern hemisphere.
Mapping South: New Publication for free.
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The book is the first-ever attempt to fully analyse and understand the historical and cultural contribution made by Russian artists to the world’s greatest art event, from 1895 to the present day.
Out now: Russian Artists at the Venice Biennale.
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Edited by Stine Hebert and Anne Szefer Karlsen, this title follows the critically acclaimed anthologies, “Curating Subjects” and 2Curating and the Educational Turn”..
Stine Hebert and Anne Szefer Karlsen (eds.): Self Organized.
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“Issues in Curating Contemporary Art and Performance” proposes that the concept of curating is a complex field of enquiry. By drawing together artists, curators, architects and cultural theorists, it proposes new approaches to curating and ways of developing critical enquiry about this increasingly expanding field.
Issues in Curating Contemporary Art.
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This scholarly, 540-page publication presents for the first time a comprehensive overview of each individual exhibition, with the help of previously unpublished photographs, plans and correspondence drawn from public and private archives in many different countries, including the extensive holdings of the Archivio Storico delle Arti Contemporanee (ASAC), Venice.
Out now: Austria and the Venice Biennale 1895-2013.
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