Vincent Pruden talks to the Aichi Triennale’s Chief Curator, Iida Shihoko.

When shown at Gallery Furuto in Tokyo in 2015, the Freedom of Expression?, exhibition assembling works that had earlier been rejected or removed by other exhibition organizers in Japan amid controversy, went almost unnoticed. When the updated version of the show opened as part of the 2019 Aichi Triennale, earlier this year, it ignited extreme reactions and re-opened debate over the increasing prevalence of censorship in Japan. Vincent Pruden talks to the Aichi Triennale’s Chief Curator, IIDA Shihoko about the aftermath of the controversy which represents a serious threat to the future existence of one of the most important biennials in Asia.
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