India’s Biennale Effect: A politics of contemporary art

Edited by Robert E. D’Souza, Sunil Manghani

This book is more than a source for ‘India’s first biennale’. It is a thoughtful, revisionist consideration of the received accounts of ‘biennale culture’, as it has been articulated in The Biennale Reader, and by writers such as Hans Belting, Jacques Rancière, and Nicholas Mirzoeff.
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