From Official to Unscrupulous: The Havana Biennial and #00Bienal de La Habana

by Amy Bruce

A larger history of biennials risks establishing an edition in relation to a narrative of historical progress that could negate a particular institutional and local biennial history. The concern of this paper is the consideration of how contemporary biennial editions impact institutional biennial historiographies, given that biennials are an exhibition format that are continually negotiating with the present.
Read More