The research for this article was supported by the Australian Research Council, as part of the authors' Discovery Project grant (2011–2014) to examine postwar biennials, triennials and documentas.

The research for this article was supported by the Australian Research Council, as part of the authors’ Discovery Project grant (2011–2014) to examine postwar biennials, triennials and documentas.

By News Editor 08 Mar 2014

The authors wish to thank the ARC, and also the audiences (especially those at Goldsmiths College, University of London, at Winchester School of Art, University of Southampton and, through Higher Atlas, the fourth Marrakech Biennial, Morocco for their constructive feedback on previous versions of this article.

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