MoMA PS1
Bruce Altshuler:
Biennials and Beyond
Exhibitions That Made Art History
Volume II: 1962-2002
Book Launch and panel discussion with Altshuler, Chus Martinez, Joao Ribas, Christian Rattemeyer and Peter Nesbett
SUNDAY APRIL 21st
2 PM, in the 1st Floor Lobby
Biennials and Beyond documents 25 of the most significant and pioneering exhibitions that took place between 1962 and 2002. Some shows have been selected for their innovative installation, others for the impact they had on the reception of contemporary art either globally or in a given country, and yet others for the role they played in advancing significant trends in recent art. Together they form an exceptional sourcebook for anyone interested in contemporary art, the history of exhibitions and curatorial practice.
To launch the Phaidon Press publication of Bruce Altshuler’s Biennials and Beyond: Exhibitions that Made Art History, 1962-2002, Altshuler organizes a panel discussion on the history of exhibitions since the 1960s and its relation to curating. Altshuler, Director of the Program in Museum Studies at New York University and author of The Avant-Garde in Exhibition and Salon to Biennial: Exhibitions that Made Art History, 1863-1959, will be joined by Chus Martinez, Chief Curator, El Museo del Barrio, Joao Ribas, Curator, List Visual Arts Center, MIT, Christian Rattemeyer, Harvey S. Shipley Miller Associate Curator of Drawings, Museum of Modern Art, and Peter Nesbett, Senior Specialist for Exhibitions, The Pew Center for Arts & Heritage.
About the Book
Biennials and Beyond documents 25 of the most significant and pioneering exhibitions that took place between 1962 and 2002. Some shows have been selected for their innovative installation, others for the impact they had on the reception of contemporary art either globally or in a given country, and yet others for the role they played in advancing significant trends in recent art. Together they form an exceptional sourcebook for anyone interested in contemporary art, the history of exhibitions and curatorial practice.
Within the past decade, the history of art exhibitions has become an important area of academic and critical inquiry. Exhibitions are hubs of interaction within the art world, the places where artists, dealers, critics, and collectors come together, and where the newest art first comes before the public. Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.
Paired with Altshuler’s Salon to Biennial: Exhibitions that Made Art History: 1863–1959, Biennials and Beyond outlines a new reading of art history based on canonical exhibitions. The volume surveys such post-war developments as the role of commercial galleries during the 1960s, the influence of museums and corporate groups, artist-run spaces, and the impact of globalization on the art world. Biennials and Beyond will be of great interest to the academic market, for adoption on courses on twentieth-century art at all levels, and it will have significant appeal to galleries, museums, collectors and a general public interested in contemporary art.
About the Author
Bruce Altshuler is Director of the Program in Museum Studies, Graduate School of Arts and Science, New York University. Altshuler is the author of Salon to Biennial-Exhibitions That Made Art History, Volume I: 1863-1959 and the editor of Collecting the New: Museums and Contemporary Art. He is the co-editor, with Hans Ulrich Obrist and Kate Fowle, of the forthcoming Do It: The Compendium, which will be launched at MoMA PS1 in May as part of Frieze New York.