The Bienal de São Paulo was created in 1951, following the model of the Biennale di Venezia, with the aim of putting local artists into dynamic contact with the international …
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The digital review Faire Monde(s) is making its third call for contributions. You are invited to submit articles for the annual digital publication, Faire Monde(s), to be published online in December 2022.
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OBOE Journal invites proposals for articles that examine National Pavilions at the Venice Biennale from diverse perspectives. Many scholars have discussed the National Pavilions in the Venice Biennale, but their potential and contradictions still need to be fully addressed. A complex web of interests and administrative matters raises a whole set of questions: What advantages do National Pavilions bring to the show? How much do national political agendas matter? Can we dismiss them for simply being an obsolete formula?
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OBOE invites proposals for articles that examine the role prints and printed matter (multiples, artist’s books, printed ephemera, catalogues, etc.) have played in the context of international, large-scale exhibitions from the end of the nineteenth century through the contemporary moment.
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